Poet Antonia Alexandra Klimenko, your DNA is Dexterity carved on the marrow plaque of Prowess.


Your verses are sickle spikes of truth, their marrow is satire and their bone are metaphor. The DNA is dexterity carved on the plaque of literary prowess. The skull spanking lines profoundly sparkle like porcupine barbs from the resilient glint of sun rays. Antonia, your poems bury rags of misery, red- eyes of nostalgia, pricking thorns of quandary and grinding stones of grief in deep belly pit emotional parody and mind tilting word play comics. Poet Antonia Alexandra Klimenko uses the lyrical vintage and verbal bravado to speak history, death, loss, identity, pain and belonging. Her philosophical verses are socially, spiritually and politically fulfilling. Her poesy is original, confessional and is born out of a labyrinth of highly psychic charged thought processes. Another unique nutrient in your writing is our hybrid, they have symptoms of spoken word and page poetry. The depth in meaning and flexibility of reason qualifies the poems to be adapted into bestselling short films, cinematographic. Reading Antonia Alexandra Klimenko is a lifetime achievement, you get fulfilled with the art-tainment within and infotainment abound, you might beat an African djembe for ritual poetry dance. Antonia Alexandra Klimenko is a multi award winning spoken word artist and an international acclaimed page poet. She is the current Poet/ Writer in Residence of Spoken Word Paris , an illustrious poetry reading and performance organization in Paris, France. TIME OF THE POET REPUBLIC is wholesomely proud to publish Antonia Alexandra Klimenko, our first legendary poetry artist from France to grace our TIME OF THE REPUBLIC space. We continue to promote a diversity of ideas, tolerance, creativity, inclusivity and exclusivity. ALUTA CONTINUA- (Blurb by Mbizo CHIRASHA)

Protest Poet Haile Saize speaks revolution.


Literary combatant Sydney Haile Saize decries social and political decadence pruning citizens into raggedness and moral nudity.  He vehemently protests against wanton human rights abuse, the cruel hand of dictatorship and fist of violence thrashing freedom of expression and freedom after expression to pulp. Saize wields his spiked ink- gun to liberate his tyranny-stricken people from the hard grip of charlatanry, heavy dose of cheap propaganda beverage, from the heavy smashes of violent sloganeering. He speaks porcupine quill truth to the state system grinding human consciences under the wheels of political expediency.  Revolutionary poet is a victim of dictatorial shenanigans by the unrepentant regime of his country of birth and xenophobia menace in the land of rainbows. Sydney Haile Saize is an unwavering literary combatant and has contributed  countless poetry missiles  at  Zimbabwe We Want Poetry Campaign / Brave Voices Poetry Journal since 2017.  AFRICA WRITERS CARAVAN celebrates freedom of expression and revolutionary consciousness through protest verse with veteran page Poet and   liberation griot South African based Zimbabwean born Sydney Haile Saize. Aluta Continua- (Blurb by Mbizo CHIRASHA).

Kenyan Poet Ndeke and Botswana Griot Ntshwabi are August Guest Editors.


The WOMAWORDS   and BRAVE VOICES June Edition are marked with success, diversity and the exclusivity.  The Guest Editors that included G Jamie Dedes, the WOMAWORDS Poet Laureate and Francis Otole, the Brave Voices Associate in Nigeria did a sterling job, the submissions turnover was superb and the selections were excellent. Salutations to the pen-slingers, wordsmith and great poets who took their time to submit to these great editions in June 2020. Your contributions are marked in the book of poetic life. We thank you profoundly. We take   opportunity to introduce new in coming GUEST EDITORS of both BRAVE VOICES AND WOMAWORDS Journals.  

Author Omwa Ombara reVolutionizes Protest Poetry.


Author OMWA OMBARA is a prolific African Voice in Diaspora. Her resilience hardened verses send a rebellious jab to the cantankerous, unrepentant COVID 19 pandemic. She sings a bitter hymn against chair warmers and lazy hands -on- keyboard scribes, who thrive on abusing and harvesting the sweat of resilient writers and voices from digital thicket, without any ounce of their own effort. Her rebuking lines in her hefty protest poem IN HONOR OF PRESS FREEDOM DAY 2020, a Satire glow with hard truth and snorts in the remorseless faces of double-chinned charlatans and double bellied pseudo media bosses burying the pseudo revolutionary imbecility in borrowed political berets. The Protest Poet is not holding her horses, back she throws sharp jibe into the belly of COVID 19 and her irritating twin imbeciles daughter Quarantine and Lockdown.

Fiona Khan, your lyrical Pansula drove us into poetic trances


The scintillating, rat -tat rhythm and the drumbeat vibe of her well coined verses bombarded my lyric thrashed mental box. Poetry that roast and cracks popcorn in my bloodstream, real poetry. The lyrical dexterity is magical like the glow of rays at morning time and the grace of the silver moon above Table Mountains cleaning the dark of shadows off the human wonderland. Intensity of messages coupled with belly pit rumbling imagery mesmerizes the readers mental eye. The touch of Africaness as   lines precede one after another blow by blow. Here  is  poetry band Symbolism  plays drums , while imagery dances like breakdance, kwaito or pansula , rhythm here is a leading vocalist at the spoken word impromptu .Again after the frenzied dances , the beat  ,the echo  and the metaphoric trances .Symbolism is left on stage to perform  his natural intercourse with the audience’s heart caves. The poem I’m BEAUTIFUL is trailblazing, the poem is human, this poem is earthly and beautiful. Can I say it is a poem turned human or human turned into a poem.  FIONA KHAN diligently fuses spoken word poesy and  page poetry to feed her audience  with a poetic balanced diet . PROLIFIC.KHAN is the founder of several literary arts, literacy projects and child care projects. She is the Founder of The Fiona Khan Academy of Learning, a child-oriented project. KHAN is spearheading The Global Forum 4 Literacy, a UNESCO recognized organisation. LEGIT. We are sincerely gratified and humbled feature this great Writer, Literacy Projects Curator, Acclaimed Educator and accomplished Poet FIONA KHAN.

Reading Chirikure Chirikure, Iconic Zimbabwean Poetry Arts Curator


CHIRIKURE is our national signature of professional performance poetry and the genesis of Zimbabwean spoken -word art. A widely published poet and well-traveled literary arts culture ambassador. And has graced   artistic podiums at reputable book and global literature festivals in Berlin Germany, Rotterdam Netherlands, Norway, Medellin Poetry Festival and Poetry Africa an annual international poetry fete in South Africa. Prolific Curator and Live Literature Producer Chirikure founded Lit fest Harare in 2015 and the festival tops the arts calendar every year, promoting creative writing scholarship and literary arts culture exchanges among other great successes. Lit fest Harare has attracted a great number of international voices since its inception. Chirikure successfully curated the HIVOS sponsored HIFA Poetry Café for more than five years in Harare. The legendary poet in him speaks satire to his corruption smashed audience, while the literary combatant in him spells protest to gluttonous fat cats and imbecilic charlatans bleeding our nations dry. Chirikure is an honorary member of the International Writers Program at IOWA and a UNESCO-RILA Affiliate Artist at University of Glasgow. TIME OF THE POET REPUBLIC is excited to feature poetic prowess and creative reverence in the person of legendary writer and internationally acclaimed Zimbabwean poetry Artist Chirikure Chirikure- (Blurb by Mbizo CHIRASHA).

Time of the Poet with Legendary Poet Alan Britt.


ALAN BRITT has been nominated for the 2021 International Janus Pannonius Prize awarded by the Hungarian Centre of PEN International for excellence in poetry from any part of the world. Previous nominated recipients include Lawrence Ferlinghetti, Charles Bernstein and Yves Bonnefoy. Preferring to "lean and loafe at his ease," he is troubled by the corruption and ambivalence that permeates the Great Experiment, so politically speaking he has started the Commonsense Party, which ironically to some sounds radical. He believes the US should stop invading other countries to relieve them of their natural resources including tin, copper, bananas, diamonds, and oil, also that it’s time to eliminate corporate entitlements and reduce military spending in order to properly educate its citizenry, thereby reducing crime and strengthening the populace in the manner that the Constitution envisioned. He is quite fond of animals both wild and domestic and supports prosecuting animal abusers. As a member of PETA, he is disgusted by factory farming and decorative fur. A graduate of the Johns Hopkins Writing Seminars he now teaches English/Creative Writing at Towson University. 

Prolific Kari Krenn ferments POETRY in pots of reason.


The well  choreographed dancing ensemble of verses  is stunning. Our thirsty for imagination is quenched by the imagery presented creatively on page walls. The poetic exhibition is worth a deserving reader  and audience  to fill their wisdom hungry souls with literary contentment. The poems are papaya tree- canopies dangling   with fruits of hard truth and the leaves are succulent with the chlorophyll of promise and hope. The vibe is mind consuming and the verbal dexterity is prolific. The beat echoes notes in the readers mind to sing along  for the hope of tomorrow. KARI KRENN is an Argentinian Poet, dancer, photographer and social media socialite. KRENN is a published Poet, Writer and Translator. Kari works with international poets in Cuba, Americas, Europe and Africa and the Prolific Poet sits in the WOMAWORDS LITERARY PRESS HALL OF FAME and she is our Argentinian Associate.  We feature this great literary socialite from Argentina in the spirit of * Diversity, Inclusivity and Creativity*. Together We Rise- (Blurb by Mbizo CHIRASHA)