WordCity is changing its publication schedule to six issues a year!
Now publishing every other month, WordCity Literary Journal is a multi-genre literary journal, publishing flash fiction, poetry, short fiction, folktales, book reviews, interviews, literary arts news and writing advice. This project is founded on the values of promoting writing, diversity, dialogue, literary arts exchange and global tolerance. It is curated and edited by the highly versatile and profoundly spirited storytelling revolutionary, Commonwealth Prize-nominated Canadian author Darcie Friesen Hossack.
Please find submission guidelines following editor bios
Darcie Friesen Hossack, Associate Editor/Head of Content
Darcie Friesen Hossack is a graduate of the Humber School for Writers. Her short story collection, Mennonites Don’t Dance, was a runner-up for the Danuta Gleed Award, shortlisted for the Commonwealth Writers Prize and the Ontario Library Association’s Forest of Reading Evergreen Award for Adult Fiction. Citing irreverence, the book was banned by the LA Crete Public Library in Northern Alberta.Having mentored with Giller finalists Sandra Birdsell (The Russlander) and Gail Anderson Dargatz (Spawning Grounds, The Cure for Death by Lightning), Darcie is now completing her first novel where, for a family with a Seventh-day Adventist father and a Mennonite mother, the End Times are just around the corner. Darcie is also a four time judge of the Whistler Independent Book Awards, and a career food writer. She lives in Northern Alberta, Canada, with her husband, an international award winning chef.
Sylvia Petter, Contributing Editor of Fiction
Vienna born Australian Sylvia Petter trained as a translator in Vienna and Brussels. Founding member of the Geneva Writers´ Group, she holds a PhD in Creative Writing from UNSW (2009). Her stories have appeared online and in print since 1995, notably in The European (UK), Thema (US), The Richmond Review, Eclectica, Reading for Real series (Canada), the anthology, Valentine´s Day, Stories of Revenge (Duckworth, UK), on BBC World Service, as well as in several charity anthologies, and flash-fiction publications.Her latest book of short fiction, Geflimmer der Vergangenheit (Riva Verlag, Germany, 2014), includes 21 stories drawn from her English-language collections, The Past Present (IUMIX, UK, 2001), Back Burning (IP Australia, Best Fiction Award 2007), and Mercury Blobs (Raging Aardvark, Australia, 2013), and translated into German by Eberhard Hain, Chemnitz. She has led flash-fiction workshops in Vienna and Gascony, France. Writing as AstridL, several erotic stories appeared in anthologies in the US (Alyson Books) and the UK (Xcite) and subsequently in her collection of 17 erotic tales, Consuming the Muse, (Raging Aardvark, Australia, 2013.) In 2014, she organized in Vienna the 13th International Conference on the Short Story in English. In March 2020, her debut novel, All the Beautiful Liars was published as a Lightning Bolt eBook by Eye & Lightning Books, UK. In July, 2020, she served on the jury for English-language flash fiction for the Vienna Poetry School’s second literary magazine to be issued in October. Sylvia works part-time at the University of Vienna in education science, and blogs on her website at http://www.sylviapetter.com where there is more on her and her writing.
Nancy Ndeke, Contributing Editor of Poetry
Nancy Ndeke is a multi-genre writer. She writes poetry, hybrid essays, reviews, commentary and memoir. Ndeke is widely published with four collection of her full writings Soliama Legacy, Lola- Logue , Musical Poesy and May the Force be With you. She has recently collaborated with a Scotland-based Writer and Musical Artist, Dr. Gameli Tordzro of Glasgow University on the Poetry Collection Mazungumzo ya Shairi, and also co-authored the poetry anthology , I was lost but now am found with USA Poet Renee Drummond -Brown . She contributes her writings to the Atunis Galaxy Poetry ( Belgium), TUJIPANGE AFRICA( Kenya, USA), Ramingo Porch, Africa Writers Caravan , WOMAWORD Literary Press, BeZine for Arts and Humanities( USA), Andinkra Links 5, Wild Fire Publication, Williwash Press, The poet by day webzine, Writers Escape at Poetry, Different Truths, ARCS PROSE POETRY. Nancy Ndeke also works as a literary arts consultant, copyeditor and Writers’ Clinics Moderator.
Clara Burghelea, Contributing Editor of Poetry
Clara Burghelea is a Romanian-born poet with an MFA in Poetry from Adelphi University. Recipient of the Robert Muroff Poetry Award, her poems and translations appeared in Ambit, HeadStuff, Waxwing and elsewhere. Her collection The Flavor of The Other was published in 2020 with Dos Madres Press. She is the current Poetry Editor of The Blue Nib.
Jane SpokenWord, Contributing Editor of Podcasts and Interviews
Street poet Jane SpokenWord’s performances represent the spoken word as it is meant to be experienced, raw, uncensored and thought provoking. From solos, to slams, duos, trios, and bands, including a big band performance at The Whitney Museum with Avant-Garde Maestro Cecil Taylor which garnered All About Jazz’s Best of 2016. Other collaborations include: Min Tanaka, Miguel Algarin, Beat Poet John Sinclair, her son HipHop musician/producer, DJ Nastee, and her partner in all things, Albey onBass. Combining the elements of spoken word, music, sound and song “Like those of the Jazz poets, the Beats, The Last Poets, Gil Scott-Heron and others – she is usually accompanied by Albey onBass Balgochian’s moaning, groaning, rumbling contrabass – adding double the gut-punch to her words.” (Raoul daGama) To preserve the cultural heritage of wording to document life, and foster a broader collective community, she brings her poetry and spoken word to a diverse set of venues including museums, festivals, libraries, slam lounges, art galleries, clubs, busking street corners and living rooms everywhere. She has authored two books of poetry with art and music by co-author Albey onBass: Word Against the Machine and Tragically Hip. Publications include: TV Baby A collection of Lower East Side artists – OHWOW, Shadow of The Geode, Bonsia Press, Stars in the Fire and Palabras Luminosas – Rogue Scholars Express and We Are Beat in the National Beat Poetry Anthology.
Lori Roadhouse, Curatorial Support and Consulting Editor
Lori D. Roadhouse is a Calgary poet, writer, aphorist and singer. She has been a member and supporter of the Writers’ Guild of Alberta, the Alexandra Writers’ Centre Society, the Red Mile Revenge poets, Passion Pitch Poetry and the Magpie Haiku Poets. She co-created the 2003 Writing Toward the Light Poetry Contest/Poetry Concert.Since 2007, Lori has been a Board member of the Single Onions Poetry Series. From 2008 – 2010 she was co-artistic director, performer and MC of Lotus Land at South Country Fair.She was the 2009 Poet in Residence for Radiant Lights eMagazine. She is a featured reader at a number of poetry and spoken word events and radio programs. She has been published in a variety of anthologies, magazines, newsletters, websites and CDs. Her recent publications include: Tap Press Read by the Calgary Public Library and Loft 112; POP YYC, the project of Calgary’s recent Poet Laureate, Sheri-D Wilson; The Time of the Poet Republic, curated by Darcie Friesen Hossack and envisioned by Mbizo Chirasha; and the upcoming (M)othering Anthology, to be published by Inanna Publications in 2021.
Olga Stein, Contributing Editor of Creative Non-Fiction
Olga Stein holds a PhD in English, and is a university and college instructor. She has taught writing, communications, modern and contemporary Canadian and American literature. Her research focuses on the sociology of literary prizes. A manuscript of her book, The Scotiabank Giller Prize: How Canadian is now with Wilfrid Laurier University Press. Stein is working on her next book, tentatively titled, Wordly Fiction: Literary Transnationalism in Canada. Before embarking on a PhD, Stein served as the chief editor of the literary review magazine, Books in Canada, and from 2001 to 2008 managed the amazon.com-Books in Canada First Novel Award (now administered by Walrus magazine). Stein herself contributed some 150 reviews, 60 editorials, and numerous author interviews to Books in Canada (the online version is available at http://www.booksincanada.com). A literary editor and academic, Stein has relationships with writers and scholars from diverse communities across Canada, as well as in the US. Stein is interested in World Literature, and authors who address the concerns that are now central to this literary category: the plight of migrants, exiles, and the displaced, and the ‘unbelonging’ of Indigenous peoples and immigrants. More specifically, Stein is interested in literary dissidents, and the voices of dissent, those who challenge the current political, social, and economic status quo. Stein is the editor of the memoir, Playing Under The Gun: An Athlete’s Tale of Survival in 1970s Chile by Hernán E. Humaña.
Sinyuy Geraldine, Contributing Editor of Critical Reviews
Cameroonian born Sinyuy Geraldine earned her PhD in Commonwealth Literature from the University of Yaoundé in 2018. Dr Sinyuy started writing poems in her teens and most of her poems and folktales were read and discussed on the North West Provincial Station of the Cameroon Radio Television (CRTV) Bamenda where she was often a guest writer for the programme, Literary Workshop: A Programme for Creative Writing and Literary Criticism. Sinyuy Geraldine has received the following awards: Featured Storyteller on World Pulse Story Awards, May 2017; Prize of Excellence as Best Teacher of the Year in CETIC Bangoulap, Bangangte, 23 October, 2010; Winner of the British Council Essay Writing Competition, Yaoundé, 2007; Winner of Short Story Runner-Up Prize, Literary Workshop: CRTV Bamenda, 1998. Her publications include: “Stripped” FemAsia: Asian Women’s Journal; “Invisible Barriers: Food Taboos in V. S. Naipaul and Samuel Selvon.” Tabous: Représentations, Functions et Impacts; “Migration related malnutrition among war-instigated refugee children in the northern part of Cameroon” in South African Journal of Clinical Nutrition; “Cultural Translocation in Three Novels of V. S. Naipaul” in International Journal of English Language, Literature and Humanities. Vol. IV, Issue XII; “Journey without End: A Closer Look at V. S. Naipaul’s Fiction” in International Journal of English Language, Literature and Humanities. Vol. IV, Issue IV; “Which Other Way? Migration and Ways of Seeing in V. S. Naipaul” in Migration, Culture and Transnational Identities: Critical Essays. Some of her poems are featured on Time of the Poet Republic; Africa Writers Caravan; For Creative Girls Magazine; and Fired Up Magazine. She is currently working on her collection of folktales and her first novel.
Sue Burge, Contributing Editor of Literary News and Writing Advice
Sue Burge is a poet and freelance creative writing and film studies lecturer based in North Norfolk in the UK. She worked for over twenty years at the University of East Anglia in Norwich teaching English, cultural studies, film and creative writing and was an Associate Lecturer in Creative Writing with the Open University. Sue is an experienced workshop leader and has facilitated sessions all over the world, working with a wide range of people – international students, academics, retired professionals from all walks of life, recovering addicts, teenagers and refugees. She has travelled extensively for work and pleasure and spent 2016 blogging as The Peripatetic Poet. She now blogs as Poet by the Sea. In 2016 Sue received an Arts Council (UK) grant which enabled her to write a body of poetry in response to the cinematic and literary legacy of Paris. This became her debut pamphlet, Lumière, published in 2018 by Hedgehog Poetry Press. Her first full collection, In the Kingdom of Shadows, was published in the same year by Live Canon. Sue’s poems have appeared in a wide range of publications including The North, Mslexia, Magma, French Literary Review, Under the Radar, Strix, Tears in the Fence, The Interpreter’s House, The Ekphrastic Review, Lighthouse and Poetry News. She has featured in themed anthologies with poems on science fiction, modern Gothic, illness, Britishness, endangered birds, WWI and the current pandemic. Her latest pamphlet, The Saltwater Diaries, was published this Autumn (2020) by Hedgehog Poetry Press. More information at www.sueburge.uk
WordCity Mandate and SUBMISSIONS GUIDELINES
WordCity Monthly, helmed by Commonwealth Prize-nominated author Darcie Friesen Hossack, has a mandate to promote literary activism and the arts. It seeks poetry, fiction, memoir, essays and book reviews, and often gives preference to works related to of human rights, equality, tolerance, acceptance and peace-building. We especially seek a diversity of voices from the global community, writing in or translated into English.
We have changed our frequency, and now publish six times a year (January, March, May, July, September, November).
Please read our guidelines (below) before submitting. If work has been previously published, please indicate where.
All submissions must be accompanied by short bio and an author photo in JPEG format. Include your email contact and social media links ONLY if you wish them to be published alongside your work.
All entries must be sent as Word Documents. In your email, please include your genre in your subject line, along with your name.
Include your name and bio in your Word Document with your submission to help us keep track of what belongs to whom.
Poetry – Three short or one long poem (approximately 60 lines max, but there is flexibility here)
Short story – maximum of 3000 Words
Memoir or Personal Essays – maximum of 3000 Words
Flash Fiction – maximum of 1000 Words
Book reviews – maximum of 1000 Words
December 15 for consideration for our January issue
February 15 for consideration for our March issue
April 15 for consideration for our May issue
June 15 for considering for our July issue
August 15 for consideration for our September issue
October 15 for consideration for our November issue
All prose submissions should be sent to firstname.lastname@example.org
All poetry submissions should be sent to (tba: send to above for now)
From there, they will be passed on to the appropriate department editors.
Our Issues So Far: